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young adults+

Mama He Is Meshuga Nuts

A comic duet about a crush, two phone calls to mama and feelings too big to say out loud.

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Lyrics

Mama he drives me crazy nuts Mama he drives me crazy nuts Mama I don't have the guts Yep he must be Yankee mama He is tall and no drama Oy vey mama he drives me crazy nuts

Mama she drives me crazy nuts Mama she drives me crazy nuts Mama I don't have the guts She is smart and sexy mama She is nuts and lots drama Oy vey mama she drives me crazy nuts

Mama he is meshuga nuts Mama he is meshuga nuts Mama I don't have the guts Oy he must be Jewish mama He is sweet but lots of drama Oy vey mama he drives me crazy nuts

Mama he is meshuga nuts I miss him so I must be nuts Oy vey oy vey Mama oh my God oy vey

Behind the song

The song’s story

A new song with a traveling word

Meshuga means crazy. It comes into Jewish English through Yiddish, with Hebrew roots, and now circulates well beyond Jewish communities. In this song, the word becomes the sound of a crush too overwhelming to keep quiet.

Jewish English Lexicon

Two phone calls, one problem

He calls his mama; she calls hers. Both are full of opinions and short of the courage to speak to each other. Walter J. Kin wrote this comic duet from scratch. It is a new contribution to the repertoire, not a translation of an old mother-song.

Our recording & notes

The instruments join the gossip

Clarinet, accordion and trumpet answer the voices, while the chorus takes the mamas' side. Beneath the exaggerated panic is a tender admission: the singer misses the person who is driving them crazy. Jewish language and musical colors frame an everyday human story.

Our recording & notes

About this recording

He calls his mama. She calls her mama. Both have the same emergency: a crush they cannot bring themselves to confess to each other. The jokes finally give way to an admission of missing someone.

This is a new song by Walter J. Kin, not an adaptation of an inherited lyric. Clarinet, accordion, trumpet and an answering choir turn the romantic panic into a klezmer celebration.

Why we consider this song Jewish or Jewish-themed

Yiddish expressions such as meshuga and oy vey are woven into the English dialogue. Together with the klezmer arrangement and family-centered comedy, they make the Jewish setting part of how the song speaks.

For us, it also shows that Jewish repertoire can include newly written comic songs about ordinary life. The crush is universal; the song's voice is culturally specific.

Credits & source

Music / English words
Walter J. Kin (RIGLI)

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