Sholom Secunda composed the music and Aaron Zeitlin wrote the Yiddish words for the theatrical work Esterke around 1940 to 1941. The calf and swallow form a parable about bondage and freedom.
Starting pointYiddish theater parable, approximately 1940 to 1941
The song's universal emotional force was carried inside a specifically Yiddish work.
Arthur Kevess and Teddi Schwartz created the familiar English text in the 1950s. Joan Baez recorded it in 1960 with a direct vocal and acoustic frame that fit the emerging folk audience.
What changedEnglish lyric, folk performance style and a defining young artist
The correct English lyric credits belong to Kevess and Schwartz, not Sheldon Harnick.
A Yiddish parable became widely shared folk repertoire
The English version became closely associated with Joan Baez and was recorded in many languages and settings. This is durable cultural circulation, even without a simple number one chart story.
Documented outcomeInternational folk circulation and many later language versions
A standard can matter culturally even when its success is not reducible to one chart peak.